Cyborg Eyepiece.

A simple way to make a cyborg eye thingy.

Pick a photo of someone.  I’m using my son Thing1
(He’s more of a ‘weebot than a ‘wobot’, but that’s okay).
The more the subject is facing the camera the better.  
Straight on is ideal.  Figure A.

Figure A.

Step 1.    Step 1. Create a new document 800 x 800. - 180 dpi.
               (Unless you prefer to work on the original) 

Step 2.    Step 2.  Create a new layer. (Shift + Ctrl + N).
              
Re-name the layer to “Eyepiece1”

Step 3.    Step 3.  Grab the ‘Custom Shape tool’ (U) and 
               select the “circle frame” shape from the pull down 
               menu.  Figure B.

Figure B.


Note: If you don’t see that shape,  click the arrow on the
‘shape’ drop-down (Figure C. see below), and go to 
‘Load Shapes’ browse to the “Custom Brushes” folder.
(program files < Adobe < Adobe Photoshop < Presets
> Custom shapes.  Select “All”.

Figure C. 
 

Step 4.    Set colors to default (D), then draw a perfect circle
               with the ‘circle frame’ shape by holding “Shift” and
               dragging. Figure D

Figure D.

Step 5.    Go to < layer < layer style < bevel and emboss  Use
                these settings  (Figure E).

Figure E.

    Select the contour box as well as the bevel and emboss. 
    Use the default settings for “contour”.  Now you should 
    have something that looks like Figure F.

Figure F.

Step 6.    Duplicate the layer “Eyepiece1”  (either from
               the ‘Layers’ menu, or by dragging the ‘Eyepiece1’ 
               layer to the ‘Create New Layer” icon   Rename
               the new layer from “Eyepiece1 copy” to “Eyepiece2”

Step 7.    With the “Eyepiece2’ layer active, go to layer styles
                and select ‘Bevel and Emboss’.  Go to the ‘Contour’ 
                sub-style in ‘Bevel and Emboss’, and change the contour
                to “Ring Double” –Make sure you have “Anti-Alias” 
                checked.  See Figure G.

Figure G.

Step 8.    Still on Layer “Eyepiece2”  hit ‘CTRL + t’ to transform
               the object.  Holding ‘Shift + Alt’ grab one of the corner
               ‘transform points’ and drag inward to shrink the second
               part of the eyepiece.  Figure H.

Figure H.

Step 9.    Hide all layers except for “Eyepiece1” and “Eyepiece2”
              
Click the eye next to a layer to hide it.  Make layer
             
“Eyepiece1” or “2” active, and  “Merge visible”  
               layers (Shift + CTRL + E).

Step 10.    Create a new layer .  CTRL + click on the remaining
                 “Eyepiece” layer. To load a selection of the eyepiece.

Step 11.    Hit (D) to set default colors.  While still in the new layer,
                
hit CTRL + backspace to fill the selection with white.  
                 Do not deselect yet.

Step 12.    Go to < Filter < Noise < Add Noise.  Use the settings
                
Figure I.  Now change that layer’s blending mode to ‘Overlay’

Figure I.

Step13.    Merge the new overlay-ed noise layer down to the
                “Eyepiece” layer.  (CTRL-E).

 

This is what you should have thus far.

FIGURE J.

Step 14.    Create a new layer called “Glass”. And make sure
                  it is below the “Eyepiece” layer. Figure K.

Figure K.

Step15.    On the “Glass” layer, make a circular marquee (holding
                shift to make it perfect), a little bigger than the opening 
                to the eyepiece.  Figure L

Figure L.

Step 16.    Hit (D), then (X) to set your colors to white (foreground)
   
              and black (background).  Grab the gradient tool , and
                 set it to ‘Radial Gradient’ and use the ‘Foreground to
                 Background’ setting.  Figure M.

Figure M.

Step 17.    Using the radial gradient tool on the “Glass” layer, drag
                 the gradient from near the center (a little toward the top left)
                 of the selection, to the lower right. To get this.  Figure N.

Figure N.

Step 18.    Adding scan lines (if you already have a defined scan line
                 pattern, you can skip this step.  Create a new layer called
                 “Pattern”.  Zoom in to 1600%.  Select the ‘Pencil’ tool.  
               
Make sure the brush selected is the 1 pixel brush.  Now 
               draw 3 black pixels down, and 3 white pixels below that. 
               
CTRL + click the pattern layer to load the selection, and
                now go to <Edit < Define Pattern.  Figure O.  After defining
                the pattern, you can delete the layer “pattern”.

Figure O.

Step 19.   Create a new layer Shift + CTRL + N.  CTRL + click on the
                “Glass” layer to load the selection.  Now on the new layer 
   
             (Layer 1), go to < Edit < Fill.  Select “Pattern” in the ‘Use’ 
                field, then select the scan line pattern you just created from the
                ‘Custom Pattern’ field..

Step 20.    Change the layer blending mode on “Layer 1” (scan line layer)
                 to “Overlay”, and lower the opacity to around 30%.  Now merge
                 this layer down onto the “Glass” Layer, CTRL + E.

Step 21.    On the “Glass” layer, hit CTRL + U to open the ‘Hue and 
                 Saturation’ adjustment.  Click colorize, and pick a color for your glass.

Step 22.    Duplicate the layer “Eyepiece” (drag it to ).  
                
CTRL + click one of the “Eyepiece” layers to load the selection.  Now
                 activate the bottom “Eyepiece” layer.

Step 23.    Hit (D) to set default colors, and hit ALT + backspace to fill the
                 selection with black..

Step 24.    Deselect. Go to > filter > blur > gaussian blur. Figure P.

Figure P.

Step 25.    Now do a CTRL + T to shrink the blurred eyepiece a bit to
                 add a shadow to the inside, on the glass.  Now reduce the 
                 opacity of that layer to around 80%.

Step 26.    Now, merge the two eyepiece layers, and the glass layer
                 together CTRL + E.

Step 27.    Now either drag the eyepiece  layer to your photo, (or activate
                
the photo layer if you’re working in the original image).

Step 28.    Now CTRL + T on the eyepiece to fit it to the face.  Figure Q.

Figure Q.

Step 30.    Now duplicate the eyepiece layer, and fill the bottom eyepiece layer
                 with black (CTRL + click,  (d), ALT + backspace.  Deselect it.
                
Now add a fairly light gaussian blur to it.  I used a radius of 5

Step 31.    Do a CTRL + T to expand it beyond the non-blurred eyepiece
                 layer to give it a drop shadow around the entire eyepiece.  
   
             Change the opacity of the shadow layer to your liking. Figure R.

Figure R.

Some Extra things I did.

< Image < Adjust < Perspective  on the eye piece to narrow it a bit
 on the side, for a better fit.

My results:

  

I used a custom brush around the outside of the eyepiece to look like
rivets or screws.  I also made a few spikey things around it, and some
metal attachments.  I adjusted the Hue and Saturation (CTRL + U)
to make him a sort of bluish, and cyborg looking, and I adjustded the
Levels to make it a bit darker.

There are better ways to do this (to make it more photo realistic,
but this way is pretty quick and easy).

If this tutorial was confusing in anyway, or did not work out for you
feel free to contact me.  tom@tomledin.com

© tomledin.com